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The Opéra Royal de Wallonie-Liège revisits the beloved fairy tale of Cinderella with their new production of La Cenerentola, Gioachino Rossini’s opera buffa.

Set in 16th-century France and Spain, Don Carlos tells of the political and amorous rivalry between King Philip II and his son, Don Carlos, over Elisabeth de Valois. Krzysztof Warlikowski strips down a tragedy haunted by ghosts, and places the intimate at the heart of an imaginary fresco truer than history itself. Along with Philippe Jordan, he reveals to the public the very first version of this great five-act opera: the version modified by Verdi himself for the work’s first performance in 1867.

是什么样的欲望之火驱使唐璜一个接一个地引诱、征服女性，带着捕食者捕获猎物时的狂热与冷静，通过她们去追寻一个始终对他隐匿的模糊目标？在与达·蓬特的第二次合作中，莫扎特注定要在歌剧史上留下浓墨重彩的一笔，并永远萦绕在欧洲文化之中。

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A Paris street scene.

Noted for the first use of time-lapse in a motion picture.

Salome, princess of Judea, the daughter‑in‑law of King Herod, finds life in her father‑in‑law’s palace dreary. Her curiosity is roused when she hears the voice of Jochanaan, a prophet held prisoner by Herod who is afraid of him. Obsessed by this enigmatic and virtuous man, Salome is ready to do anything to possess him, dead or alive. Drawing on Oscar Wilde’s scandalous play of the same name, in 1905 Richard Strauss produced the work that was to ensure his status as Wagner’s successor in the history of German opera. A dazzling hour and forty minutes, decadent in its very essence, which, for her debut at the Paris Opera, Lydia Steier treats as a dystopia in which amorality rules.

Live performance from the Opéra de Lyon, July 1 2012. Controversial production by Olivier Py.